By Austin Hall And Homer Eon Flint

Introduction By Forrest J Ackerman




The Blind Spot opens with the words: "Perhaps it were just as well to

start at the beginning. A mere matter of news." Suppose I use them in

the same sense:

A mere matter of news: The first instalment of this fabulous novel was

featured in Argosy-All-Story-Weekly for May 14, 1921. Described as a

"different" serial, it was introduced by a cover by Modest Stein. In

the foreground was the profile of a girl of another dimension--ethereal,

sensuous, the eternal feminine--the Nervina of the story. Filmy

crystalline earrings swept back over her bare shoulders. Dominating the

background was a huge flaming yellow ball, like our Sun as seen from the

hypothetical Vulcan--splotched with murky, mysterious globii vitonae.

There was an ancient quay, and emerging from the ultramarine waters

about it a silhouetted metropolis of spires, domes, and minarets. It was

1921, and that generation thus received its first glimpse of the alien

landscape of The Blind Spot and the baroque beauty of an immortal woman

of fantasy fiction.

The authors? Homer Eon Flint was already a reigning favourite with

post-World-War-I enthusiasts of imaginative literature, who had eagerly


ISLAND and THE PLANETEER. Austin Hall was well known and popular for his


Then came this epoch-making collaboration. When Mary Gnaedinger launched

Famous Fantastic Mysteries magazine she early presented THE BLIND SPOT,

and printed it again in that magazine's companion Fantastic Novels.

These reprints are now collectors' items, almost unobtainable,

and otherwise the story has long been out of print. Rumour says an

unauthorised German version of THE BLIND SPOT, has been published in

book form. There is another book called THE BLIND SPOT, and also a

magazine story, and a major movie studio was to produce a film of the

same title. However, here is presented the only hard-cover version of

the only BLIND SPOT of consequence to lovers of fantasy.

Who wrote the story? When I first looked into the question, as a 15 year

old boy, Homer Eon Flint (he originally spelled his name with a "d")

was already dead of a fall into a canyon. In 1949 his widow told me: "I

think Homer's father contributed that middle name"--the same name (with

slightly different spelling) that the Irish poet George Russell took

as his pen-name, which became known by its abbreviation AE. Mrs. Flindt

said of Flint's father: "He was a very deep thinker, and enjoyed reading

heavy material." Like father, like son. "Homer always talked over his

ideas with me, and although I couldn't always follow his thoughts it

seemed to help him to express them to another--it made some things come

more clearly to him."

Flint was a great admirer of H. G. Wells (this little

grandmother-schoolteacher told me) and had probably read all his works

up to the time when he (Flint) died in 1924. He had read Doyle and

Haggard, but: "Wells was his favourite--the real thinker."

Flint found a fellow-thinker in Austin Hall, whom he met in San

Jose, California, while working at a shop where shoes were repaired

electrically--"a rather new concept at the time." Hall, learning that

Flint lived in the same city, sought him out, and they became fast

friends. Each stimulated the other. As Hall told me twenty years ago of

the origin of THE BLIND SPOT:

"One day after we had lunched together, I held my finger up in front of

one of my eyes and said: 'Homer, couldn't a story be written about that

blind spot in the eye?' Not much was said about it at the time, but four

days later, again at lunch, I outlined the whole story to him. I wrote

the first eighteen chapters; Homer took up the tale as 'Hobart Fenton'

and wrote the chapters about the house of miracles, the living death,

the rousing of Aradna's mind, and so forth, up to 'The Man from Space,'

where once again I took over."

To THE BLIND SPOT Hall contributed a great knowledge of history and

anthropology, while Flint's fortes were physics and medicine. Both had a

great fund of philosophy at their command.

When I met Hall (about four years older than Flint) he was in his

fifties: a devil-may-care old codger (old to a fifteen-year-old, that

is) full of good humour and indulgence for a youthfuladmirer who had

journeyed far to meet him. He casually referred to his 600 published

stories, and I carried away the impression of one who resembled both

in output and in looks that other fiction-factory of the time, Edgar


Finally: Several years ago, before I knew anything about the present

volume, I had an unusual experience. (At that time I had no reason to

think THE BLIND SPOT would ever become available as a book, for the

location of the heirs proved a Herculean task by itself; publishers had

long wanted to present this amazing novel but could not do so until I

located Mrs. Mae Hall and Mrs. Mabel Flindt.) While, unfortunately, I

did not take careful notes at the time, the gist of the occurrence was


I visited a friend whose hobby (besides reading fantasy) was the

occult, who volunteered to entertain me with automaticwriting and

the ouija-board. Now, I share Lovecraft's scepticism towards the

supernatural, regarding it as at best a means of amusement. When the

question arose of what spirits we should try to lure to our planchette,

the names of Lovecraft, Merritt, Hall, and Flint popped into my

pixilated mind. So I set my fingers on the wooden heart and, since my

host was also a Flint admirer, we asked about Flint's fatal accident.

The ouija spelled out:

N-O A-C-C-I-D-E-N-T--R-O-B-B-E-R-Y

There followed something about being held up by a hitch-hiker. Then Hall

(or at least some energy-source other than my own conscious mind) came

through too, and when I asked if he had left any work behind he replied:

Y-E-S--T-H-E L-A-S-T G-O-D-L-I-N-G

Later I asked his son about this (without revealing the title) and Javen

Hall told me of the story his father had been plotting when he died: THE

HIDDEN EMPIRE, or THE CHILD OF THE SOUTHWIND. Whatever was pushing the

planchette failed to inform me that when I found Austin Hall's son and

widow, they would put into my hands an unknown, unpublished fantasy

novel by Hall: THE HOUSE OF DAWN! Some day it may appear in print.

Meanwhile you are getting understandably impatient to explore that

unknown realm of the Blind Spot. Be on your way, and bon voyage!

FORREST J ACKERMAN, Beverley Hills, Calif.


Perhaps it were just as well to start at the beginning. A mere matter of


All the world at the time knew the story; but for the benefit of those

who have forgotten I shall repeat it. I am merely giving it as I have

taken it from the papers with no elaboration and no opinion--a mere

statement of facts. It was a celebrated case at the time and stirred the

world to wonder. Indeed, it still is celebrated, though to the layman it

is forgotten.

It has been labelled and indexed and filed away in the archives of the

profession. To those who wish to look it up it will be spoken of as one

of the great unsolved mysteries of the century. A crime that leads two

ways, one into murder--sordid, cold and calculating; and the other into

the nebulous screen that thwarts us from the occult.

Perhaps it is the character of Dr. Holcomb that gives the latter. He was

a great man and a splendid thinker. That he should have been led into a

maze of cheap necromancy is, on the face, improbable. He had a wonderful

mind. For years he had been battering down the scepticism that had

bulwarked itself in the material.

He was a psychologist, and up to the day the greatest, perhaps, that we

have known. He had a way of going out before his fellows--it is the way

of genius--and he had gone far, indeed, before them. If we would trust

Dr. Holcomb we have much to live for; our religion is not all hearsay

and there is a great deal in science still unthought of. It is an

unfortunate case; but there is much to be learned in the circumstance

that led the great doctor into the Blind Spot.



On a certain foggy morning in September, 1905, a tall man wearing a

black overcoat and bearing in one hand a small satchel of dark-reddish

leather descended from a Geary Street tram at the foot of Market Street,

San Francisco. It was a damp morning; a mist was brooding over the city

blurring all distinctness.

The man glanced about him; a tall man of trim lines and distinctness

and a quick, decided step and bearing. In the shuffle of descending

passengers he was outstanding, with a certain inborn grace that without

the blood will never come from training. Men noticed and women out of

instinct cast curious furtive glances and then turned away; which was

natural, inasmuch as the man was plainly old. But for all that many

ventured a second glance--and wondered.

An old man with the poise of twenty, a strange face of remarkable

features, swarthy, of an Eastern cast, perhaps Indian; whatever the

certainty of the man's age there was still a lingering suggestion

of splendid youth. If one persisted in a third or fourth look this

suggestion took an almost certain tone, the man's age dwindled, years

dropped from him, and the quizzical smile that played on the lips seemed

a foreboding of boyish laughter.

We say foreboding because in this case it is not mistaken diction.

Foreboding suggests coming evil; the laughter of boys is wholehearted.

It was merely that things were not exactly as they should be; it was not

natural that age should be so youthful. The fates were playing, and in

this case for once in the world's history their play was crosswise.

It is a remarkable case from the beginning and we are starting from

facts. The man crossed to the window of the Key Route ferry and

purchased a ticket for Berkeley, after which, with the throng, he passed

the turnstile and on to the boat that was waiting. He took the lower

deck, not from choice, apparently, but more because the majority of his

fellow passengers, being men, were bound in this direction. The same

chance brought him to the cigar-stand. The men about him purchased

cigars and cigarettes, and as is the habit of all smokers, strolled off

with delighted relish. The man watched them. Had anyone noticed his eyes

he would have noted a peculiar colour and a light of surprise. With the

prim step that made him so distinctive he advanced to the news-stand.

"Pardon me; but I would like to purchase one of those." Though he spoke

perfect English it was in a strange manner, after the fashion of one

who has found something that he has just learned how to use. At the

same time he made a suggestion with his tapered fingers indicating the

tobacco in the case. The clerk looked up.

"A cigar, sir? Yes, sir. What will it be?"

"A cigar?" Again the strange articulation. "Ah, yes, that is it. Now

I remember. And it has a little sister, the cigarette. I think I shall

take a cigarette, if--if--if you will show me how to use it."

It was a strange request. The clerk was accustomed to all manner of

men and their brands of humour; he was about to answer in kind when he

looked up and into the man's eyes. He started.

"You mean," he asked, "that you have never seen a cigar or cigarette;

that you do not know how to use them? A man as old as you are."

The stranger laughed. It was rather resentful, but for all that of a

hearty taint of humour.

"So old? Would you say that I am as old as that; if you will look


The young man did and what he beheld is something that he could not

quite account for: the strange conviction of this remarkable man; of age

melting into youth, of an uncertain freshness, the smile, not of sixty,

but of twenty. The young man was not one to argue, whatever his wonder;

he was first of all a lad of business; he could merely acquiesce.

"The first time! This is the first time you have ever seen a cigar or


The stranger nodded.

"The first time. I have never beheld one of them before this morning. If

you will allow me?" He indicated a package. "I think I shall take one of


The clerk took up the package, opened the end, and shook out a single

cigarette. The man lit it and, as the smoke poured out of his mouth,

held the cigarette tentatively in his fingers.

"Like it?" It was the clerk who asked.

The other did not answer, his whole face was the expression of having

just discovered one of the senses. He was a splendid man and, if the

word may be employed of the sterner sex, one of beauty. His features

were even; that is to be noted, his nose chiselled straight and to

perfection, the eyes of a peculiar sombreness and lustre almost burning,

of a black of such intensity as to verge into red and to be devoid of

pupils, and yet, for all of that, of a glow and softness. After a moment

he turned to the clerk.

"You are young, my lad."

"Twenty-one, sir."

"You are fortunate. You live in a wonderful age. It is as wonderful as

your tobacco. And you still have many great things before you."

"Yes, sir."

The man walked on to the forward part of the boat; leaving the youth,

who had been in a sort of daze, watching. But it was not for long. The

whole thing had been strange and to the lad almost inexplicable. The man

was not insane, he was certain; and he was just as sure that he had not

been joking. From the start he had been taken by the man's refinement,

intellect and education. He was positive that he had been sincere. Yet--

The ferry detective happened at that moment to be passing. The clerk

made an indication with his thumb.

"That man yonder," he spoke, "the one in black. Watch him." Then he told

his story. The detective laughed and walked forward.

It was a most fortunate incident. It was a strange case. That mere act

of the cigar clerk placed the police on the track and gave to the world

the only clue that it holds of the Blind Spot.

The detective had laughed at the lad's recital--almost any one had a

patent for being queer--and if this gentleman had a whim for a certain

brand of humour that was his business. Nevertheless, he would stroll


The man was not hard to distinguish; he was standing on the forward deck

facing the wind and peering through the mist at the grey, heavy heave of

the water. Alongside of them the dim shadow of a sister ferry screamed

its way through the fogbank. That he was a landsman was evidenced by his

way of standing; he was uncertain; at every heave of the boat he would

shift sidewise. An unusually heavy roll caught him slightly off-balance

and jostled him against the detective. The latter held up his hand and

caught him by the arm.

"A bad morning," spoke the officer. "B-r-r-r! Did you notice the Yerbe

Buena yonder? She just grazed us. A bad morning."

The stranger turned. As the detective caught the splendid face, the

glowing eyes and the youthful smile, he started much as had done the

cigar clerk. The same effect of the age melting into youth and--the

officer being much more accustomed to reading men--a queer sense of

latent and potent vision. The eyes were soft and receptive but for

all that of the delicate strength and colour that comes from abnormal

  • beginning [bi´giniŋ] 移动到这儿单词发声  n.开始,开端;起源   (初中英语单词)
  • modest [´mɔdist] 移动到这儿单词发声  a.谦虚的;朴素的   (初中英语单词)
  • eternal [i´tə:nəl] 移动到这儿单词发声  a.永远的;永恒的   (初中英语单词)
  • mysterious [mi´stiəriəs] 移动到这儿单词发声  a.神秘的;难以理解的   (初中英语单词)
  • generation [,dʒenə´reiʃən] 移动到这儿单词发声  n.发生;世代;同龄人   (初中英语单词)
  • glimpse [glimps] 移动到这儿单词发声  n.&v.瞥见   (初中英语单词)
  • immortal [i´mɔ:təl] 移动到这儿单词发声  a.不死的n.不朽的人物   (初中英语单词)
  • literature [´litərətʃə] 移动到这儿单词发声  n.文学;文献;著作   (初中英语单词)
  • companion [kəm´pæniən] 移动到这儿单词发声  n.同伴;同事;伴侣   (初中英语单词)
  • otherwise [´ʌðəwaiz] 移动到这儿单词发声  ad.另外 conj.否则   (初中英语单词)
  • consequence [´kɔnsikwəns] 移动到这儿单词发声  n.结果;后果;推断   (初中英语单词)
  • california [,kæli´fɔ:njə] 移动到这儿单词发声  n.加利福尼亚   (初中英语单词)
  • working [´wə:kiŋ] 移动到这儿单词发声  a.工人的;劳动的   (初中英语单词)
  • concept [´kɔnsept] 移动到这儿单词发声  n.概念;观念;思想   (初中英语单词)
  • learning [´lə:niŋ] 移动到这儿单词发声  n.学习;学问;知识   (初中英语单词)
  • origin [´ɔridʒin] 移动到这儿单词发声  n.起源;由来;出身   (初中英语单词)
  • philosophy [fi´lɔsəfi] 移动到这儿单词发声  n.哲学;人生观   (初中英语单词)
  • humour [´hju:mə] 移动到这儿单词发声  n.幽默,诙谐   (初中英语单词)
  • youthful [´ju:θfəl] 移动到这儿单词发声  a.年轻的;青年的   (初中英语单词)
  • impression [im´preʃən] 移动到这儿单词发声  n.印刷;印象;效果   (初中英语单词)
  • output [´autput] 移动到这儿单词发声  n.产品;产品;计算结果   (初中英语单词)
  • unusual [ʌn´ju:ʒuəl] 移动到这儿单词发声  a.不平常的;异常的   (初中英语单词)
  • available [ə´veiləbəl] 移动到这儿单词发声  a.可用的;有效的   (初中英语单词)
  • amazing [ə´meiziŋ] 移动到这儿单词发声  a.惊人的;惊奇的   (初中英语单词)
  • reading [´ri:diŋ] 移动到这儿单词发声  n.(阅)读;朗读;读物   (初中英语单词)
  • entertain [,entə´tein] 移动到这儿单词发声  vt.招待;娱乐;使高兴   (初中英语单词)
  • writing [´raitiŋ] 移动到这儿单词发声  n.书写;写作;书法   (初中英语单词)
  • amusement [ə´mju:zmənt] 移动到这儿单词发声  n.娱乐;文娱设施   (初中英语单词)
  • wooden [´wudn] 移动到这儿单词发声  a.木制的;呆板的   (初中英语单词)
  • conscious [´kɔnʃəs] 移动到这儿单词发声  a.意识的;自觉的   (初中英语单词)
  • whatever [wɔt´evə] 移动到这儿单词发声  pron.&a.无论什么   (初中英语单词)
  • celebrated [´selibreitid] 移动到这儿单词发声  a.著名的   (初中英语单词)
  • spoken [´spəukən] 移动到这儿单词发声  speak的过去分词   (初中英语单词)
  • screen [skri:n] 移动到这儿单词发声  n.银幕 vt.遮蔽   (初中英语单词)
  • character [´kæriktə] 移动到这儿单词发声  n.特性;性质;人物;字   (初中英语单词)
  • plainly [´pleinli] 移动到这儿单词发声  ad.平坦地;简单地   (初中英语单词)
  • indian [´indiən] 移动到这儿单词发声  a.印度的 n.印度人   (初中英语单词)
  • laughter [´lɑ:ftə] 移动到这儿单词发声  n.笑,笑声   (初中英语单词)
  • remarkable [ri´mɑ:kəbl] 移动到这儿单词发声  a.值得注意的;显著的   (初中英语单词)
  • waiting [´weitiŋ] 移动到这儿单词发声  n.等候;伺候   (初中英语单词)
  • peculiar [pi´kju:liə] 移动到这儿单词发声  a.特有的;奇异的   (初中英语单词)
  • advanced [əd´vɑ:nst] 移动到这儿单词发声  a.先进的;高级的   (初中英语单词)
  • suggestion [sə´dʒestʃən] 移动到这儿单词发声  n.建议,提议;暗示   (初中英语单词)
  • beheld [bi´held] 移动到这儿单词发声  behold的过去式(分词)   (初中英语单词)
  • account [ə´kaunt] 移动到这儿单词发声  vi.说明 vt.认为 n.帐目   (初中英语单词)
  • conviction [kən´vikʃən] 移动到这儿单词发声  n.定罪;确信,信服   (初中英语单词)
  • uncertain [ʌn´sə:tn] 移动到这儿单词发声  a.不定的;不可靠的   (初中英语单词)
  • package [´pækidʒ] 移动到这儿单词发声  n.包(裹) vt.组装   (初中英语单词)
  • fortunate [´fɔ:tʃənət] 移动到这儿单词发声  a.幸运的,侥幸的   (初中英语单词)
  • tobacco [tə´bækəu] 移动到这儿单词发声  n.烟草(叶);卷烟   (初中英语单词)
  • sincere [sin´siə] 移动到这儿单词发声  a.真挚的;直率的   (初中英语单词)
  • detective [di´tektiv] 移动到这儿单词发声  n.侦探 a.侦探的   (初中英语单词)
  • indication [,indi´keiʃən] 移动到这儿单词发声  n.指示;征兆,迹象   (初中英语单词)
  • incident [´insidənt] 移动到这儿单词发声  n.小事件;事变   (初中英语单词)
  • nevertheless [,nevəðə´les] 移动到这儿单词发声  conj.&ad.然而;不过   (初中英语单词)
  • distinguish [di´stiŋgwiʃ] 移动到这儿单词发声  v.区分;识别;立功   (初中英语单词)
  • standing [´stændiŋ] 移动到这儿单词发声  n.持续 a.直立的   (初中英语单词)
  • slightly [´slaitli] 移动到这儿单词发声  ad.轻微地;细长的   (初中英语单词)
  • vision [´viʒən] 移动到这儿单词发声  n.视觉;想象力;幻影   (初中英语单词)
  • delicate [´delikət] 移动到这儿单词发声  a.精美的;微妙的   (初中英语单词)
  • abnormal [æb´nɔ:məl] 移动到这儿单词发声  a.变态的,反常的   (初中英语单词)
  • fantastic [fæn´tæstik] 移动到这儿单词发声  a.奇异的;荒谬的   (高中英语单词)
  • studio [´stju:diəu] 移动到这儿单词发声  n.画室;照相室   (高中英语单词)
  • originally [ə´ridʒənəli] 移动到这儿单词发声  ad.本来;独创地   (高中英语单词)
  • unfortunately [ʌn´fɔ:tʃunitli] 移动到这儿单词发声  ad.不幸;不朽;可惜   (高中英语单词)
  • occurrence [ə´kʌrəns] 移动到这儿单词发声  n.发生;(偶发)事件   (高中英语单词)
  • automatic [,ɔ:tə´mætik] 移动到这儿单词发声  a.自动的 n.自动装置   (高中英语单词)
  • regarding [ri´gɑ:diŋ] 移动到这儿单词发声  prep.关于   (高中英语单词)
  • impatient [im´peiʃənt] 移动到这儿单词发声  a.不耐烦的,急躁的   (高中英语单词)
  • explore [ik´splɔ:] 移动到这儿单词发声  v.勘探;探索;探查   (高中英语单词)
  • learned [´lə:nid] 移动到这儿单词发声  a.有学问的,博学的   (高中英语单词)
  • overcoat [´əuvəkəut] 移动到这儿单词发声  n.大衣   (高中英语单词)
  • bearing [´beəriŋ] 移动到这儿单词发声  n.举止;忍耐;关系   (高中英语单词)
  • decided [di´saidid] 移动到这儿单词发声  a.明显的;决定的   (高中英语单词)
  • outstanding [aut´stændiŋ] 移动到这儿单词发声  a.突出的;显著的   (高中英语单词)
  • mistaken [mis´teikən] 移动到这儿单词发声  mistake的过去分词   (高中英语单词)
  • throng [θrɔŋ] 移动到这儿单词发声  n.群众 v.拥挤;群集   (高中英语单词)
  • apparently [ə´pærəntli] 移动到这儿单词发声  ad.显然,表面上地   (高中英语单词)
  • relish [´reliʃ] 移动到这儿单词发声  n.滋味;风味 v.品尝   (高中英语单词)
  • intensity [in´tensiti] 移动到这儿单词发声  a.激烈;强度;深度   (高中英语单词)
  • insane [in´sein] 移动到这儿单词发声  a.患神经病的;疯狂的   (高中英语单词)
  • positive [´pɔzətiv] 移动到这儿单词发声  a.确定的   (高中英语单词)
  • alongside [əlɔŋ´said] 移动到这儿单词发声  ad.在旁 prep.横靠   (高中英语单词)
  • flaming [´fleimiŋ] 移动到这儿单词发声  a.熊熊燃烧的;热情的   (英语四级单词)
  • metropolis [mi´trɔpəlis] 移动到这儿单词发声  n.首都;大城市   (英语四级单词)
  • version [´və:ʃən, ´və:rʒən] 移动到这儿单词发声  n.翻译;说明;译本   (英语四级单词)
  • canyon [´kænjən] 移动到这儿单词发声  n.峡谷   (英语四级单词)
  • admirer [əd´maiərə] 移动到这儿单词发声  n.赞美者,羡慕者   (英语四级单词)
  • indulgence [in´dʌldʒəns] 移动到这儿单词发声  n.沉迷;宽容;恩惠   (英语四级单词)
  • layman [´leimən] 移动到这儿单词发声  n.俗人   (英语四级单词)
  • shuffle [´ʃʌf(ə)l] 移动到这儿单词发声  v.洗(牌) n.搅乱   (英语四级单词)
  • inasmuch [,inəz´mʌtʃ] 移动到这儿单词发声  conj.因为;鉴于   (英语四级单词)
  • boyish [´bɔiiʃ] 移动到这儿单词发声  a.少年的;幼稚的   (英语四级单词)
  • delighted [di´laitid] 移动到这儿单词发声  a.高兴的;喜欢的   (英语四级单词)
  • distinctive [di´stiŋktiv] 移动到这儿单词发声  a.有区别的;有特色的   (英语四级单词)
  • freshness [´freʃnis] 移动到这儿单词发声  n.新鲜   (英语四级单词)
  • unusually [ʌn´ju:ʒuəli] 移动到这儿单词发声  ad.异常地;非常   (英语四级单词)
  • potent [´pəutənt] 移动到这儿单词发声  a.有(势)力的;烈性的   (英语四级单词)
  • fabulous [´fæbjuləs] 移动到这儿单词发声  a.难以置信的;惊人的   (英语六级单词)
  • profile [´prəufail] 移动到这儿单词发声  n.侧面 vt.画…侧面   (英语六级单词)
  • fantasy [´fæntəsi] 移动到这儿单词发声  n.幻想(曲),想象   (英语六级单词)
  • imaginative [i´mædʒənətiv] 移动到这儿单词发声  a.富于想象(力)的   (英语六级单词)
  • improbable [im´prɔbəbəl] 移动到这儿单词发声  a.未必有的   (英语六级单词)
  • psychologist [sai´kɔlədʒist] 移动到这儿单词发声  n.心理学家   (英语六级单词)
  • swarthy [´swɔ:ði] 移动到这儿单词发声  a.黑皮肤的,黝黑的   (英语六级单词)
  • devoid [di´vɔid] 移动到这儿单词发声  a.无…的,缺…的   (英语六级单词)
  • softness [´sɔftnis] 移动到这儿单词发声  n.柔软;柔和;温柔   (英语六级单词)
  • inexplicable [,inik´splikəbəl] 移动到这儿单词发声  a.难以理解的   (英语六级单词)

  • 上传人 欢乐鱼 分享于 2017-06-26 17:17:56
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