[Illustration: "Your address!" bawled the Duke.]





Author of









Copyright 1912

The Bobbs-Merrill Company






To B. O'G.

Horace calls no more to me,

Homer in the dust-heap lies:

I have found my Odyssey

In the lightness of her glee,

In the laughter of her eyes.

Ovid's page is thumbed no more,

E'en Catullus has no choice!

There is endless, precious lore,

Such as I ne'er knew before,

In the music of her voice.

Breath of hyssop steeped in wine,

Breath of violets and furze,

Wild-wood roses, Grecian myrrhs,

All these perfumes do combine

In that maidenbreath of hers.

Nay, I look not at the skies,

Nor the sun that hillward slips,

For the day lives or it dies

In the laughter of her eyes,

In the music of her lips!




I. At the Stage Door 1

II. There Is a Woman? 19

III. The Beautiful Tigress 36

IV. The Joke of Monsieur 53

V. Captive or Runaway 74

VI. The Bird Behind Bars 103

VII. Battling Jimmie 126

VIII. Moonlight and a Prince 146

IX. Colonel Caxley-Webster 166

X. Marguerites and Emeralds 185

XI. At the Crater's Edge 202

XII. Dick Courtlandt's Boy 214

XIII. Everything But the Truth 232

XIV. A Comedy with Music 249

XV. Herr Rosen's Regrets 265

XVI. The Apple of Discord 282

XVII. The Ball at the Villa 303

XVIII. Pistols for Two 326

XIX. Courtlandt Tells a Story 345

XX. Journey's End 363






Courtlandt sat perfectly straight; his ample shoulders did not touch the

back of his chair; and his arms were folded tightly across his chest. The

characteristic of his attitude was tenseness. The nostrils were well

defined, as in one who sets the upper jaw hard upon the nether. His brown

eyes--their gaze directed toward the stage whence came the voice of the

prima donna--epitomized the tension, expressed the whole as in a word.

Just now the voice was pathetically subdued, yet reached every part of the

auditorium, kindling the ear with its singularly mellowing sweetness. To

Courtlandt it resembled, as no other sound, the note of a muffled Burmese

gong, struck in the dim incensed cavern of a temple. A Burmese gong:

briefly and magically the stage, the audience, the amazing gleam and

scintillation of the Opera, faded. He heard only the voice and saw only

the purple shadows in the temple at Rangoon, the orientalsunset splashing

the golden dome, the wavering lights of the dripping candles, the dead

flowers, the kneeling devotees, the yellow-robed priests, the tatters of

gold-leaf, fresh and old, upon the rows of placid grinning Buddhas. The

vision was of short duration. The sigh, which had been so long repressed,

escaped; his shoulders sank a little, and the angle of his chin became

less resolute; but only for a moment. Tension gave place to an ironical

grimness. The brows relaxed, but the lips became firmer. He listened, with

this new expression unchanging, to the high note that soared above all

others. The French horns blared and the timpani crashed. The curtain sank

slowly. The audience rustled, stood up, sought its wraps, and pressed

toward the exits and the grand staircase. It was all over.

Courtlandt took his leave in leisure. Here and there he saw familiar

faces, but these, after the finding glance, he studiously avoided. He

wanted to be alone. For while the music was still echoing in his ears, in

a subtone, his brain was afire with keen activity; but unfortunately for

the going forward of things, this mental state was divided into so many

battalions, led by so many generals, indirectly and indecisively, nowhere.

This plan had no beginning, that one had no ending, and the other neither

beginning nor ending. Outside he lighted a cigar, not because at that

moment he possessed a craving for nicotine, but because like all

inveterate smokers he believed that tobacco conduced to clarity of

thought. And mayhap it did. At least, there presently followed a mental

calm that expelled all this confusion. The goal waxed and waned as he

gazed down the great avenue with its precise rows of lamps. Far away he

could discern the outline of the brooding Louvre.

There was not the least hope in the world for him to proceed toward his

goal this night. He realized this clearly, now that he was face to face

with actualities. It required more than the chaotic impulses that had

brought him back from the jungles of the Orient. He must reason out a plan

that should be like a straight line, the shortest distance between two

given points. How then should he pass the night, since none of his schemes

could possibly be put into operation? Return to his hotel and smoke

himself headachy? Try to become interested in a novel? Go to bed, to turn

and roll till dawn? A wild desire seized him to make a night of

it,--Maxim's, the cabarets; riot and wine. Who cared? But the desire burnt

itself out between two puffs of his cigar. Ten years ago, perhaps, this

particular brand of amusement might have urged him successfully. But not

now; he was done with tomfool nights. Indeed, his dissipations had been

whimsical rather than banal; and retrospection never aroused a furtive

sense of shame.

He was young, but not so young as an idle glance might conjecture in

passing. To such casualreckoning he appeared to be in the early twenties;

but scrutiny, more or less infallible, noting a line here or an angle

there, was disposed to add ten years to the score. There was in the nose

and chin a certain decisiveness which in true youth is rarely developed.

This characteristic arrives only with manhood, manhood that has been tried

and perhaps buffeted and perchance a little disillusioned. To state that

one is young does not necessarily imply youth; for youth is something that

is truly green and tender, not rounded out, aimless, light-hearted and

desultory, charming and inconsequent. If man regrets his youth it is not

for the passing of these pleasing, though tangled attributes, but rather

because there exists between the two periods of progression a series of

irremediable mistakes. And the subject of this brief commentary could look

back on many a grievous one brought about by pride or carelessness rather

than by intent.

But what was one to do who had both money and leisure linked to an

irresistible desire to leave behind one place or thing in pursuit of

another, indeterminately? At one time he wanted to be an artist, but his

evenly balanced self-criticism had forced him to fling his daubs into the

ash-heap. They were good daubs in a way, but were laid on without fire;

such work as any respectable schoolmarm might have equaled if not

surpassed. Then he had gone in for engineering; but precise and intricate

mathematics required patience of a quality not at his command.

The inherentambition was to make money; but recognizing the absurdity of

adding to his income, which even in his extravagance he could not spend,

he gave himself over into the hands of grasping railroad and steamship

companies, or their agencies, and became for a time the slave of guide and

dragoman and carrier. And then the wanderlust, descended to him from the

blood of his roving Dutch ancestors, which had lain dormant in the several

generations following, sprang into active life again. He became known in

every port of call. He became known also in the wildernesses. He had

climbed almost inaccessible mountains, in Europe, in Asia; he had fished

and hunted north, east, south and west; he had fitted out polar

expeditions; he had raided the pearl markets; he had made astonishing

gifts to women who had pleased his fancy, but whom he did not know or seek

to know; he had kept some of his intimate friends out of bankruptcy; he

had given the most extravagant dinners at one season and, unknown, had

supported a bread-line at another; he had even financed a musical comedy.

Whatever had for the moment appealed to his fancy, that he had done. That

the world--his world--threw up its hands in wonder and despair neither

disturbed him nor swerved him in the least. He was alone, absolute master

of his millions. Mamas with marriageable daughters declared that he was

impossible; the marriageable daughters never had a chance to decide one

way or the other; and men called him a fool. He had promoted elephant

fights which had stirred the Indian princes out of their melancholy

indifference, and tiger hunts which had, by their duration and

magnificence, threatened to disrupt the efficiency of the British military

service,--whimsical excesses, not understandable by his intimate

acquaintances who cynically arraigned him as the fool and his money.

But, like the villain in the play, his income still pursued him. Certain

scandals inevitably followed, scandals he was the last to hear about and

the last to deny when he heard them. Many persons, not being able to take

into the mind and analyze a character like Courtlandt's, sought the line

of least resistance for their understanding, and built some precious

exploits which included dusky island-princesses, diaphanous dancers, and

comic-opera stars.

Simply, he was without direction; a thousand goals surrounded him and none

burned with that brightness which draws a man toward his destiny: until

one day. Personally, he possessed graces of form and feature, and was

keener mentally than most young men who inherit great fortunes and

distinguished names.

* * * * *

Automobiles of all kinds panted hither and thither. An occasional smart

coupe went by as if to prove that prancing horses were still necessary to

the dignity of the old aristocracy. Courtlandt made up his mind suddenly.

He laughed with bitterness. He knew now that to loiter near the stage

entrance had been his real purpose all along, and persistent lying to

himself had not prevailed. In due time he took his stand among the gilded

youth who were not privileged (like their more prosperous elders) to wait

outside the dressing-rooms for their particular ballerina. By and by there

was a little respectful commotion. Courtlandt's hand went instinctively to

his collar, not to ascertain if it were properly adjusted, but rather to

relieve the sudden pressure. He was enraged at his weakness. He wanted to

turn away, but he could not.

A woman issued forth, muffled in silks and light furs. She was followed by

another, quite possibly her maid. One may observe very well at times from

the corner of the eye; that is, objects at which one is not looking come

within the range of vision. The woman paused, her foot upon the step of

the modest limousine. She whispered something hurriedly into her

companion's ear, something evidently to the puzzlement of the latter, who

looked around irresolutely. She obeyed, however, and retreated to the

stage entrance. A man, quite as tall as Courtlandt, his face shaded

carefully, intentionally perhaps, by one of those soft Bavarian hats that

are worn successfully only by Germans, stepped out of the gathering to

proffer his assistance. Courtlandt pushed him aside calmly, lifted his

hat, and smiling ironically, closed the door behind the singer. The step

which the other man made toward Courtlandt was unequivocal in its meaning.

But even as Courtlandt squared himself to meet the coming outburst, the

stranger paused, shrugged his shoulders, turned and made off.

The lady in the limousine--very pale could any have looked closely into

her face--was whirled away into the night. Courtlandt did not stir from

the curb. The limousine dwindled, once it flashed under a light, and then


"It is the American," said one of the waiting dandies.

"The icicle!"

"The volcano, rather, which fools believe extinct."

"Probably sent back her maid for her Bible. Ah, these Americans; they are

very amusing."

"She was in magnificent voice to-night. I wonder why she never sings


"Have I not said that she is too cold? What! would you see frost grow upon

the toreador's mustache? And what a name, what a name! Eleonora da


Courtlandt was not in the most amiable condition of mind, and a hint of

the ribald would have instantly transformed a passive anger into a blind

fury. Thus, a scene hung precariously; but its potentialities became as

nothing on the appearance of another woman.

This woman was richly dressed, too richly. Apparently she had trusted her

modiste not wisely but too well: there was the strange and unaccountable

inherent love of fine feathers and warm colors which is invariably the

mute utterance of peasant blood. She was followed by a Russian, huge of

body, Jovian of countenance. An expensive car rolled up to the curb. A

liveried footman jumped down from beside the chauffeur and opened the

door. The diva turned her head this way and that, a thin smile of

satisfaction stirring her lips. For Flora Desimone loved the human eye

whenever it stared admiration into her own; and she spent half her days

setting traps and lures, rather successfully. She and her formidable

escort got into the car which immediately went away with a soft purring

sound. There was breeding in the engine, anyhow, thought Courtlandt, who

longed to put his strong fingers around that luxuriousthroat which had,

but a second gone, passed him so closely.

"We shall never have war with Russia," said some one; "her dukes love

Paris too well."

Light carelesslaughter followed this cynical observation. Another time

Courtlandt might have smiled. He pushed his way into the passage leading

to the dressing-rooms, and followed its windings until he met a human

  • carpet [´kɑ:pit] 移动到这儿单词发声  n.地毯 vt.铺地毯   (初中英语单词)
  • laughter [´lɑ:ftə] 移动到这儿单词发声  n.笑,笑声   (初中英语单词)
  • maiden [´meidn] 移动到这儿单词发声  n.少女 a.未婚的   (初中英语单词)
  • breath [breθ] 移动到这儿单词发声  n.呼吸;气息   (初中英语单词)
  • monsieur [mə´sjə:] 移动到这儿单词发声  n.先生   (初中英语单词)
  • captive [´kæptiv] 移动到这儿单词发声  n.俘虏;捕获物   (初中英语单词)
  • moonlight [´mu:nlait] 移动到这儿单词发声  n.&a.月光(的)   (初中英语单词)
  • prince [´prins] 移动到这儿单词发声  n.王子;亲王;君主   (初中英语单词)
  • temple [´tempəl] 移动到这儿单词发声  n.庙宇;寺院;太阳穴   (初中英语单词)
  • audience [´ɔ:diəns] 移动到这儿单词发声  n.听众;观众;接见   (初中英语单词)
  • amazing [ə´meiziŋ] 移动到这儿单词发声  a.惊人的;惊奇的   (初中英语单词)
  • purple [´pə:pl] 移动到这儿单词发声  n.紫色 a.紫(红)的   (初中英语单词)
  • sunset [´sʌnset] 移动到这儿单词发声  n.日落;晚霞   (初中英语单词)
  • mental [´mentl] 移动到这儿单词发声  a.精神的;心理的   (初中英语单词)
  • beginning [bi´giniŋ] 移动到这儿单词发声  n.开始,开端;起源   (初中英语单词)
  • tobacco [tə´bækəu] 移动到这儿单词发声  n.烟草(叶);卷烟   (初中英语单词)
  • presently [´prezəntli] 移动到这儿单词发声  ad.不久;目前   (初中英语单词)
  • confusion [kən´fju:ʒən] 移动到这儿单词发声  n.混乱(状态);骚乱   (初中英语单词)
  • outline [´autlain] 移动到这儿单词发声  n.外形 vt.画出…轮廓   (初中英语单词)
  • amusement [ə´mju:zmənt] 移动到这儿单词发声  n.娱乐;文娱设施   (初中英语单词)
  • rarely [´reəli] 移动到这儿单词发声  ad.难得;非凡地   (初中英语单词)
  • aimless [´eimlis] 移动到这儿单词发声  a.没有目标;无目的的   (初中英语单词)
  • charming [´tʃɑ:miŋ] 移动到这儿单词发声  a.可爱的;极好的   (初中英语单词)
  • series [´siəri:z] 移动到这儿单词发声  n.连续;系列;丛书   (初中英语单词)
  • pursuit [pə´sju:t] 移动到这儿单词发声  n.追踪;追击;事务   (初中英语单词)
  • patience [´peiʃəns] 移动到这儿单词发声  n.忍耐(力);耐心;坚韧   (初中英语单词)
  • ambition [æm´biʃən] 移动到这儿单词发声  n.雄心,野心;企图   (初中英语单词)
  • income [´inkʌm] 移动到这儿单词发声  n.收入,所得   (初中英语单词)
  • sprang [spræŋ] 移动到这儿单词发声  spring 的过去式   (初中英语单词)
  • intimate [´intimit] 移动到这儿单词发声  a.亲密的 n.知己   (初中英语单词)
  • musical [´mju:zikəl] 移动到这儿单词发声  a.音乐的;悦耳的   (初中英语单词)
  • despair [di´speə] 移动到这儿单词发声  vi.&n.绝望   (初中英语单词)
  • absolute [´æbsəlu:t] 移动到这儿单词发声  a.绝对的 n.绝对   (初中英语单词)
  • indian [´indiən] 移动到这儿单词发声  a.印度的 n.印度人   (初中英语单词)
  • character [´kæriktə] 移动到这儿单词发声  n.特性;性质;人物;字   (初中英语单词)
  • resistance [ri´zistəns] 移动到这儿单词发声  n.抵抗;抵制;耐力   (初中英语单词)
  • hither [´hiðə] 移动到这儿单词发声  ad.到此处   (初中英语单词)
  • thither [´ðiðə] 移动到这儿单词发声  ad.到那里 a.那边的   (初中英语单词)
  • occasional [ə´keiʒənəl] 移动到这儿单词发声  a.偶然的;临时的   (初中英语单词)
  • dignity [´digniti] 移动到这儿单词发声  n.尊严,尊贵;高官显贵   (初中英语单词)
  • prosperous [´prɔspərəs] 移动到这儿单词发声  a.繁荣的;顺利的   (初中英语单词)
  • collar [´kɔlə] 移动到这儿单词发声  n.衣领;(狗等的)项圈   (初中英语单词)
  • properly [´prɔpəli] 移动到这儿单词发声  ad.适当地;严格地   (初中英语单词)
  • pressure [´preʃə] 移动到这儿单词发声  n.压榨 vt.对…施压力   (初中英语单词)
  • weakness [´wi:knis] 移动到这儿单词发声  n.虚弱;弱点,缺点   (初中英语单词)
  • vision [´viʒən] 移动到这儿单词发声  n.视觉;想象力;幻影   (初中英语单词)
  • modest [´mɔdist] 移动到这儿单词发声  a.谦虚的;朴素的   (初中英语单词)
  • evidently [´evidəntli] 移动到这儿单词发声  ad.明显地   (初中英语单词)
  • assistance [ə´sistəns] 移动到这儿单词发声  n.协作;援助;帮助   (初中英语单词)
  • calmly [´kɑ:mli] 移动到这儿单词发声  ad.平静地;无风浪地   (初中英语单词)
  • singer [´siŋə] 移动到这儿单词发声  n.歌手,演唱者   (初中英语单词)
  • waiting [´weitiŋ] 移动到这儿单词发声  n.等候;伺候   (初中英语单词)
  • magnificent [mæg´nifisənt] 移动到这儿单词发声  a.壮丽的;豪华的   (初中英语单词)
  • instantly [´instəntli] 移动到这儿单词发声  ad.立即,立刻   (初中英语单词)
  • passive [´pæsiv] 移动到这儿单词发声  a.被动的 n.被动性   (初中英语单词)
  • peasant [´pezənt] 移动到这儿单词发声  n.农民;庄稼人   (初中英语单词)
  • countenance [´kauntinəns] 移动到这儿单词发声  n.面部表情;脸色;面容   (初中英语单词)
  • expensive [ik´spensiv] 移动到这儿单词发声  a.费钱的,昂贵的   (初中英语单词)
  • admiration [,ædmə´reiʃən] 移动到这儿单词发声  n.赞赏,钦佩   (初中英语单词)
  • throat [θrəut] 移动到这儿单词发声  n.咽喉;嗓子;出入口   (初中英语单词)
  • careless [´keəlis] 移动到这儿单词发声  a.粗心的;草率的   (初中英语单词)
  • observation [,ɔbzə´veiʃən] 移动到这儿单词发声  n.观测;注意;意义   (初中英语单词)
  • colonel [´kə:nəl] 移动到这儿单词发声  n.海(陆)军上校   (高中英语单词)
  • comedy [´kɔmidi] 移动到这儿单词发声  n.喜剧;喜剧场面   (高中英语单词)
  • perfectly [´pə:fiktli] 移动到这儿单词发声  ad.理想地;完美地   (高中英语单词)
  • tightly [´taitli] 移动到这儿单词发声  ad.紧,紧密地   (高中英语单词)
  • sweetness [´swi:tnis] 移动到这儿单词发声  n.甜蜜;芳香;亲切   (高中英语单词)
  • cavern [´kævən] 移动到这儿单词发声  n.大山洞;大岩洞   (高中英语单词)
  • oriental [ɔ:ri´entl] 移动到这儿单词发声  a.东方人的   (高中英语单词)
  • leisure [´leʒə] 移动到这儿单词发声  n.空闲;悠闲;安定   (高中英语单词)
  • finding [´faindiŋ] 移动到这儿单词发声  n.发现物;判断;结果   (高中英语单词)
  • unfortunately [ʌn´fɔ:tʃunitli] 移动到这儿单词发声  ad.不幸;不朽;可惜   (高中英语单词)
  • ending [´endiŋ] 移动到这儿单词发声  n.结尾,结局   (高中英语单词)
  • discern [di´sə:n] 移动到这儿单词发声  v.辩认出   (高中英语单词)
  • orient [´ɔ:riənt] 移动到这儿单词发声  n.东方 a.东方的   (高中英语单词)
  • successfully [sək´sesfəli] 移动到这儿单词发声  ad.成功地   (高中英语单词)
  • casual [´kæʒuəl] 移动到这儿单词发声  a.偶然的;临时的   (高中英语单词)
  • characteristic [,kæriktə´ristik] 移动到这儿单词发声  a.特有的 n.特性   (高中英语单词)
  • manhood [´mænhud] 移动到这儿单词发声  n.人格;男子气概   (高中英语单词)
  • necessarily [´nesisərili] 移动到这儿单词发声  ad.必定,必然地   (高中英语单词)
  • pleasing [´pli:ziŋ] 移动到这儿单词发声  a.使人愉快的;合意的   (高中英语单词)
  • respectable [ri´spektəbəl] 移动到这儿单词发声  a.可敬的;有身价的   (高中英语单词)
  • engineering [,endʒi´niəriŋ] 移动到这儿单词发声  n.工程技术;工程学   (高中英语单词)
  • carrier [´kæriə] 移动到这儿单词发声  n.搬运工人;托架   (高中英语单词)
  • extravagant [ik´strævəgənt] 移动到这儿单词发声  a.奢侈的;过度的   (高中英语单词)
  • efficiency [i´fiʃənsi] 移动到这儿单词发声  n.效力;效率;有能力   (高中英语单词)
  • brightness [´braitnis] 移动到这儿单词发声  n.光明;快乐   (高中英语单词)
  • destiny [´destini] 移动到这儿单词发声  n.命运   (高中英语单词)
  • personally [´pə:sənəli] 移动到这儿单词发声  ad.亲自;就个人来说   (高中英语单词)
  • inherit [in´herit] 移动到这儿单词发声  v.继承;遗传   (高中英语单词)
  • bitterness [´bitənis] 移动到这儿单词发声  n.苦味;辛酸;苦难   (高中英语单词)
  • persistent [pə´sistənt] 移动到这儿单词发声  a.坚持的;固执的   (高中英语单词)
  • ascertain [,æsə´tein] 移动到这儿单词发声  vt.探查;查明   (高中英语单词)
  • volcano [vɔl´keinəu] 移动到这儿单词发声  n.火山   (高中英语单词)
  • apparently [ə´pærəntli] 移动到这儿单词发声  ad.显然,表面上地   (高中英语单词)
  • wisely [´waizli] 移动到这儿单词发声  ad.明智地,聪明地   (高中英语单词)
  • invariably [in´veəriəbli] 移动到这儿单词发声  ad.不变地;永恒地   (高中英语单词)
  • bagdad [bæg´dæd] 移动到这儿单词发声  n.巴格达   (英语四级单词)
  • whence [wens] 移动到这儿单词发声  ad.从何处;从那里   (英语四级单词)
  • tension [´tenʃən] 移动到这儿单词发声  n.紧张;压力;拉力   (英语四级单词)
  • placid [´plæsid] 移动到这儿单词发声  a.平静的;温和的   (英语四级单词)
  • resolute [´rezəlu:t] 移动到这儿单词发声  a.坚决的;不屈不挠的   (英语四级单词)
  • staircase [´steəkeis] 移动到这儿单词发声  n.楼梯 =stairway   (英语四级单词)
  • precise [pri´sais] 移动到这儿单词发声  a.精确的;清楚的   (英语四级单词)
  • conjecture [kən´dʒektʃə] 移动到这儿单词发声  n.&v.猜测(想);设想   (英语四级单词)
  • perchance [pə´tʃɑ:ns] 移动到这儿单词发声  ad.偶然;可能   (英语四级单词)
  • commentary [´kɔməntəri] 移动到这儿单词发声  n.评论;评注;解说词   (英语四级单词)
  • grievous [´gri:vəs] 移动到这儿单词发声  a.痛苦的;严重的   (英语四级单词)
  • carelessness [kɛəlisnis] 移动到这儿单词发声  n.粗心;漫不经心   (英语四级单词)
  • absurdity [əb´sə:diti] 移动到这儿单词发声  n.荒谬,愚蠢;谬论   (英语四级单词)
  • extravagance [iks´trævigəns] 移动到这儿单词发声  n.奢侈;极端   (英语四级单词)
  • bankruptcy [´bæŋkrʌptsi] 移动到这儿单词发声  n.破产   (英语四级单词)
  • villain [´vilən] 移动到这儿单词发声  n.坏人;恶棍;反面角色   (英语四级单词)
  • inevitably [in´evitəbli] 移动到这儿单词发声  ad.不可避免地;必然地   (英语四级单词)
  • aristocracy [,æris´tɔkrəsi] 移动到这儿单词发声  n.贵族政治;贵族   (英语四级单词)
  • commotion [kə´məuʃən] 移动到这儿单词发声  n.混乱;骚动   (英语四级单词)
  • instinctively [in´stiŋktivli] 移动到这儿单词发声  ad.本能地   (英语四级单词)
  • hurriedly [´hʌridli] 移动到这儿单词发声  ad.仓促地,忙乱地   (英语四级单词)
  • gathering [´gæðəriŋ] 移动到这儿单词发声  n.集会,聚集   (英语四级单词)
  • mustache [mə´stɑ:ʃ] 移动到这儿单词发声  n.髭,小胡子   (英语四级单词)
  • amiable [´eimiəbəl] 移动到这儿单词发声  a.亲切的,温和的   (英语四级单词)
  • richly [´ritʃli] 移动到这儿单词发声  ad.富裕地;浓厚地   (英语四级单词)
  • utterance [´ʌtərəns] 移动到这儿单词发声  n.发音;言辞;所说的话   (英语四级单词)
  • chauffeur [´ʃəufə,ʃeu´fə:] 移动到这儿单词发声  n.(汽车)司机   (英语四级单词)
  • stirring [´stə:riŋ] 移动到这儿单词发声  a.活跃的;热闹的   (英语四级单词)
  • breeding [´bri:diŋ] 移动到这儿单词发声  n.饲养,教养   (英语四级单词)
  • luxurious [lʌg´zjuəriəs] 移动到这儿单词发声  a.奢侈的;豪华的   (英语四级单词)
  • grecian [´gri:ʃən] 移动到这儿单词发声  a.古希腊的 n.希腊人   (英语六级单词)
  • runaway [´rʌnəwei] 移动到这儿单词发声  n.逃跑(者) a.逃亡的   (英语六级单词)
  • discord [´diskɔ:d] 移动到这儿单词发声  n.不一致;不和谐   (英语六级单词)
  • nether [´neðə] 移动到这儿单词发声  a.下面的;地下的   (英语六级单词)
  • duration [djuə´reiʃən] 移动到这儿单词发声  n.持久;持续期间   (英语六级单词)
  • indirectly [,indi´rektli] 移动到这儿单词发声  a.间接地;迂回地   (英语六级单词)
  • craving [´kreiviŋ] 移动到这儿单词发声  n.渴望,热望   (英语六级单词)
  • reckoning [´rekəniŋ] 移动到这儿单词发声  n.计算;算帐;估计   (英语六级单词)
  • infallible [in´fæləbəl] 移动到这儿单词发声  a.必然的;不会错的   (英语六级单词)
  • inherent [in´hiərənt] 移动到这儿单词发声  a.固有的,天生的   (英语六级单词)
  • inaccessible [,inæk´sesəbəl] 移动到这儿单词发声  a.达不到的,难接近的   (英语六级单词)
  • loiter [´lɔitə] 移动到这儿单词发声  v.闲逛,消磨时间   (英语六级单词)
  • privileged [´privilidʒd] 移动到这儿单词发声  a.有特权的;特许的   (英语六级单词)
  • respectful [ri´spektfəl] 移动到这儿单词发声  a.恭敬的;尊敬人的   (英语六级单词)
  • outburst [´autbə:st] 移动到这儿单词发声  n.喷发;爆发;激增   (英语六级单词)
  • footman [´futmən] 移动到这儿单词发声  n.侍应员;男仆   (英语六级单词)
  • cynical [´sinikəl] 移动到这儿单词发声  a.讥诮的;冷嘲的   (英语六级单词)

  • 上传人 欢乐鱼 分享于 2017-06-26 17:17:34
    文章信息 浏览:0 评论:  赞: